>> CYBT ;

Movie Quotes



Quotes

You never change things by fighting the existing reality. To change something, build a new model that makes the existing model obsolete. ~ Buckminster Fuller

"Somebody walks up and they say, 'Your number is 21-87, isn't it?' Boy does that person really smile." ~ Arthur Lipsett

Increasing vision is increasingly expensive. ~ The Andromeda Strain

No system could explain itself. ~ The Terminal Man

The best opportunities only happen once ~ A Midsummer Night's Sex Comedy (1982)

 

 
Annie Hall (1977) - Alvy Singer

There's an old joke.  Uh, two elderly women are at a Catskills mountain resort, and one of 'em says: "Boy, the food at this place is really terrible." The other one says, "Yeah, I know, and such ... small portions." Well, that's essentially how I feel about life.  Full of loneliness and misery and suffering and unhappiness, and it's all over much too quickly.  The-the other important joke for me is one that's, uh, usually attributed to Groucho Marx, but I think it appears originally in Freud's wit and its relation to the unconscious.  And it goes like this-I'm paraphrasing: Uh ...
"I would never wanna belong to any club that would have someone like me for a member." That's the key joke of my adult life in terms of my relationships with women.  Tsch, you know, lately the strangest things have been going through my mind, 'cause I turned forty, tsch, and I guess I'm going through a life crisis or something, I don't know. I, uh ... and I'm not worried about aging. I'm not one o' those characters, you know. Although I'm balding slightly on top, that's about the worst you can say about me.  I, uh, I think I'm gonna get better as I get older, you know?  I think I'm gonna be the-the balding virile type, you know, as opposed to say the, uh, distinguished gray, for instance, you know?  'Less I'm neither o' those two. Unless I'm one o' those guys with saliva dribbling out of his mouth who wanders into a cafeteria with a shopping bag screaming about socialism.
(Sighing)
Annie and I broke up and I-I still can't get my mind around that.  You know, I-I keep sifting the pieces of the relationship through my mind and-and examining my life and tryin' to figure out where did the screw-up come, you know, and a year ago we were... tsch, in love.  You know, and-and-and ... And it's funny, I'm not-I'm not a morose type.  I'm not a depressive character.  I-I-I, uh,
(Laughing)
you know, I was a reasonably happy kid, I guess.  I was brought up in Brooklyn during World War II.

I remember the staff at our public school. You know, we had a saying, uh, that those who can't do teach, and those who can't teach, teach gym. And, uh, those who couldn't do anything, I think, were assigned to our school.

I can't get with any religion that advertises in Popular Mechanics.

I feel that life is divided into the horrible and the miserable. That's the two categories. The horrible are like, I don't know, terminal cases, you know, and blind people, crippled. I don't know how they get through life. It's amazing to me. And the miserable is everyone else. So you should be thankful that you're miserable, because that's very lucky, to be miserable.


After that it got pretty late, and we both had to go, but it was great seeing Annie again. I... I realized what a terrific person she was, and... and how much fun it was just knowing her; and I... I, I thought of that old joke, y'know, the, this... this guy goes to a psychiatrist and says, "Doc, uh, my brother's crazy; he thinks he's a chicken." And, uh, the doctor says, "Well, why don't you turn him in?" The guy says, "I would, but I need the eggs."
Well, I guess that's pretty much now how I feel about relationships; y'know, they're totally irrational, and crazy, and absurd, and... but, uh, I guess we keep goin' through it because, uh, most of us... need the eggs.

 
Manhattan (1979) - Isaac Davis

Why is life worth living? It's a very good question. Um... Well, There are certain things I guess that make it worthwhile. uh... Like what... okay... um... For me, uh... ooh... I would say... what, Groucho Marx, to name one thing... uh... um... and Wilie Mays... and um... the 2nd movement of the Jupiter Symphony... and um... Louis Armstrong, recording of Potato Head Blues... um... Swedish movies, naturally... Sentimental Education by Flaubert... uh... Marlon Brando, Frank Sinatra... um... those incredible Apples and Pears by Cezanne... uh... the crabs at Sam Wo's... uh... Tracy's face...

Oh really, he was a genius, Helen's a genius and Dennis is a genius. You know a lot of geniuses, y'know. You should meet some stupid people once in a while, y'know, you could learn something.

This is so antiseptic. It's empty. Why do you think this is funny? You're going by audience reaction? This is an audience that's raised on television, their standards have been systematically lowered over the years. These guys sit in front of their sets and the gamma rays eat the white cells of their brains out!

No, I didn't read the piece on China's faceless masses, I was, I was checking out the lingerie ads.

My analyst warned me, but you were so beautiful I got another analyst.

It's brown water! I'm paying seven-hundred dollars a month, I got rats with bongos and a, and a frog and I got brown water here.

Donnie, your analyst? I call mine Dr. Chomsky, y'know, he hits me with a ruler.

Jesus, I'm... I'm shocked. I'm... I'm shocked. I'm surprised. I'm stunned. I mean, I'm in a state of... Somebody should
throw a blanket over me. You know, I'm... This is shaping up like a Noel Coward play. Somebody should go make martinis.

 
American Psycho (2000) - Patrick Bateman

Monologue I:


"I live in the American Gardens building on West 81st Street on the Eleventh floor. My name is Patrick Bateman. I’m twenty-seven years old. I believe in taking care of myself, in a balanced diet, in a rigorous exercise routine.

"In the morning if my face is a little puffy, I’ll put on an ice-pack while doing my stomach crunches. I can do a thousand now. After I remove the ice pack, I use a deep-pore cleanser lotion. In the shower, I use a water activated gel cleanser. Then a honey almond body scrub, and on the face, an exfoliating gel-scrub. Then I apply an herb-mint facial mask, which I leave on for ten minutes while I prepare the rest of my routine. I always use an aftershave lotion with little or no alcohol, because alcohol dries your face out, and makes you look older. Then moisturizer, then an anti-aging eye balm followed by a final moisturizing ‘protective lotion.’

"There is an idea of a Patrick Bateman, some kind of abstraction. But there is no real me, only an entity, something illusory. And though I can hide my cold gaze, and you can shake my hand and feel flesh gripping yours, and maybe you can even sense our lifestyles are probably comparable, I simply am not there.”

Monologue II:


"Howard! It’s Bateman, Pat Bateman. You’re my lawyer, so I think you should know I killed a lot of people! Some escort girls in an apartment uptown … some homeless people, maybe 5 or 10! Ummm … some girl I met at an NYU party. I left her body in the parking lot behind some old donut shop! My old girlfriend Beverly with a nail gun. Some man – some old FAGGOT with a dog!

"I killed another girl with a chainsaw. I had to, she almost got away. There was someone else there – I can’t remember…maybe a model or something. But, she’s dead too. And, uh, Paul Allen! I killed Paul Allen with an axe in the face! His body is dissolving in a bathtub in Hells Kitchen. I don’t want to leave anything out, now. I guess I killed maybe…twenty people. Maybe forty!

"I’ve got tapes of a lot of it. Some of the girls have seen the tapes. I even…I even ate some of their brains. And I tried to cook a little. Tonight … I just HAD TO KILL ALOT OF PEOPLE! And I don’t think I’m gonna get away with it this time. So…I guess…I guess I’m a pretty sick guy. Well … if you get back tomorrow … I’ll meet you up at Harry’s Bar so … keep your eyes open. Bye.”

Monologue III:


"There are no more barriers to cross. All I have in common with the uncontrollable and the insane, the vicious and the evil, all the mayhem I have caused and my utter indifference toward it I have now surpassed. My pain in constant and sharp and I do not hope for a better world for anyone. In fact I want my pain to be inflicted on others. I want no one to escape. But even after admitting this there is no catharsis.

"My punishment continues to elude me and I gain no deeper knowledge of myself. No new knowledge can be extracted from my telling. This confession has meant nothing."

 
Watchmen (2009)

Dr. Manhattan/Jon Osterman

A live body and a dead body contain the same number of particles. Structurally, there's no discernible difference. Life and death are unquantifiable abstracts. Why should I be concerned?

We're all puppets, Laurie. I'm just a puppet who can see the strings.

There is no future. There is no past. Do you see? Time is simultaneous, an intricately structured jewel that humans insist on viewing one edge at a time, when the whole design is visible in every facet.

I would only agree that a symbolic clock is as nourishing to the intellect as a photo of oxygen to a drowning man.

I've walked across the sun. I've seen events so tiny and so fast they hardly can be said to have occurred at all, but you... you are a man. And this world's smartest man means no more to me than does its smartest termite.

The morality of my activities escapes me.

Even if I can't predict where I'm going to find you, I can turn these walls to glass. She says I am like a god now. I tell her I don't think there is a god. And if there is I'm nothing like him.

Yes. Anybody in the world. ..But the world is so full of people, so crowded with these miracles that they become commonplace and we forget... I forget. We gaze continually at the world and it grows dull in our perceptions. Yet seen from the another's vantage point. As if new, it may still take our breath away. Come... dry your eyes, for you are life, rarer than a quark and unpredictable beyond the dreams of Heisenberg. Come, dry your eyes. And let's go home.

Rorschach/Walter Kovacs


Heard a joke once: Man goes to doctor. Says he's depressed. Says life seems harsh and cruel. Says he feels all alone in a threatening world where what lies ahead is vague and uncertain. Doctor says "Treatment is simple. Great clown Pagliacci is in town tonight. Go and see him. That should pick you up." Man bursts into tears. Says "But, doctor...I am Pagliacci." Good joke. Everybody laugh. Roll on snare drum. Curtains. Fade to black.

Looked at sky through smoke heavy with human fat and God was not there. The cold, suffocating dark goes on forever and we are alone. Live our lives, lacking anything better to do. Devise reason later. Born from oblivion; bear children, hell-bound as ourselves, go into oblivion. There is nothing else. Existence is random. Has no pattern save what we imagine after staring at it for too long. No meaning save what we choose to impose. This rudderless world is not shaped by vague metaphysical forces.

 
Fight Club (1999) - Tyler Durden

This is your life, and it's ending one minute at a time.

It's only after we've lost everything that we're free to do anything.

If you wake up at a different time in a different place, could you wake up as a different person?

The things you own end up owning you.

Shut up! Our fathers were our models for God. If our fathers bailed, what does that tell you about God?

Listen to me! You have to consider the possibility that God does not like you. He never wanted you. In all probability, he hates you. This is not the worst thing that can happen.

Hey, even the Mona Lisa's falling apart.

You're not your job. You're not how much money you have in the bank. You're not the car you drive. You're not the contents of your wallet. You're not your fucking khakis. You're the all-singing, all-dancing crap of the world.

Reject the basic assumptions of civilization, especially the importance of material possessions.

 


Creative Commons  All text shared under a Creative Commons License.